Here's a few more:

Fleetwood Mac - Never Going Back Again

Styx - Come Sail Away (MFSL)

Jazz at the Pawnshop - Take 5

Indiana Jones and the Temple of Doom Soundtrack - Anything Goes

Kraftwerk - Pocket Calculator (The Mix)


Since I get a ton of messages on what equipment I use for my recordings, here's a list:

Sources:
     • Rega P25 turntable, upgraded with with Michell Engineering 'Technoweight', Isokinetik GT subplatter and Rega white belt
     • Zyx Omega G moving coil cartidge (.24mv, low output version, gold wire coil windings)
     • Denon DP-52F turntable
     • Zyx R100H moving coil cartridge (.48mv, copper wires)
     • Denon DL-103R and DL-103D cartridges

Preamps:
     • Audio Research PH5 tube phono preamp with Electro-Harmonix 6922 tubes
     • Musical Fidelity X-LP (original 'can' version)

Cables:
     • Wireworld Eclipse II 1m RCA (unbalanced) interconnect
     • Mogami XLR digital cable
     • Custom digital coax and time clock cables by Blue Jeans Cables using Beldin wire

Analog to digital converter:
     • Apogee Rosetta AD 96K, professional rack mount unit, 96K @ 24bit, using JBL RCA to XLR adapters

Recording interface:
     • Focusrite Liquid 56 using ADAT 2 input
     • Behringer Rev2496 reverb, using as a digital pass-through and converter, XLR/AES digital to SPDIF optical converter in bypass mode, time synch'd to the Apogee Rosetta clock
     • Presonous Inspire firewire recording interface.

Software:
     • Steinberg Cubase v5.1
     • Reaper v4.22
     • Waves Master Restoration Suite plugin

Monitoring speakers:
     • Mackie MR5's
     • Paradigm Mini Monitors v3
     • Paradigm Studio 100's

Headphone monitoring:
     • Sennheiser HD 650's and HD800's
     • Burson Audio HDA-160 solid state headphone amp
     • Musical Fidelity X-Can v3 with Amperex 'Bugle Boy' 6922 tubes
     • Audio-Gd NFB-12.1 DAC and headphone amp (for monitoring directly off the Apogee Rosetta AD)

The audio was recorded in native 48K / 24bit format, which was compressed to 320k mp3 format.

 

I was actually considering the Korg MR-2000S DSD recorder, which I found on ebay for $1249. If I sold the Apogee and the Ross Martin, I would still need to invest another $500 ~ $600 more, which I didn't want to do at this time. The biggest feature of the Korg is the ability to record PCM from 32K to 192K plus 1-bit, DSD recording at 2.8Mhz and 5.6Mhz. It has a built in hard drive, so it's self contained, plus it works as a DAC and can play back recorded files through RCA and balanced XLR outputs. It's truly a professional unit and many recording studios use it to record 2 track masters of analog sources. Eric Johnson uses it to down mix his studio albums. It would be a 'dream' piece of gear for recording vinyl but I can't justify spending the extra money right now. Maybe sometime in the future... 

For now, I think I will be very satisfied with the Apogee Rosetta 96K. I really love the sound of the Apogee AD converters and I can't wait to hear the differences recording at 96K vs. 48k with such an awesome piece of gear will make. The funny thing is, the stock 48K Rosetta has a 96K capable A/D chip (Crystal 5396-KS) in it and I think the upgrade is really just swapping out the ROM chip to process and pass 96K.

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